I had believed myself a plotter when I wrote my first manuscript. I planned out the plot - 'What if this?' and 'What if that?' - in comprehensive detail. I knew the characters and what would happen and when and where. I worked on the outline, the events of each chapter, the synopsis. I wrote the book and I wrote it fast, but when I reached 'The End' something about the process didn't feel right.
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I spent many an hour wondering why. Too rigid and methodical, I realised, for a writer like me, happiest when my creativity is spontaneous. And in that happy state, my imagination let loose a vision. I saw this guy on a motor bike travelling down a winding road and I got to thinking: Who is he? Why is he on the road? Where is he going? The answers and the visions that then appeared gave me my second manuscript, and another revelation.
I'm not a plotter or a pantser, 'flying by the seat of my pants' planning only the basics or nothing at all. I'm not a plantser, plotting some of the story. I am a scener. I imagine scenes. They come in no particular order so there's some juggling done for them to make sense but they and the characters they reveal are the story.
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That's not all. One day I was thinking of a character and he spoke to me. Yes, I had visualised him, a product of my imagination, but he wanted things done his way. At first I ignored his urging - characters don't speak to their writers - and wrote the scenes as I had imagined them. But he was persistent, rejecting what I'd written so I gave in and wrote what he wanted me to write and introduced another character I had not envisaged. A character I knew immediately was pivotal to the plot and the happy-ever-after ending my hero character deserved.
I soon understood that characters, though coming into existence from my subconscious, are real in my mind. They take on a life of their own with their own thoughts and feelings and react in their own ways to situations they find themselves in. Maybe it's weird but I believe their stories are not my stories. I just write them and that, in itself, is magic.
Do your characters speak to you, ordering you to write as they want? Do you let them shape the story or do you rein them in?
Love to laugh: at the often-strange-and-funny quirks fictional characters have.
Love to learn: about the many differences that make the characters who they are.